• How Thor: Love and Thunder Undermines Jane Foster’s Worthiness

    Warning: full spoilers ahead for Thor: Love and Thunder!

    With Thor: Love and Thunder hitting theaters, we finally know the answer to one of the biggest burning questions about the movie: how exactly does Jane Foster (Natalie Portman) become the Mighty Thor? The only problem is, the film makes a big departure from the comic books for her superhero origin, and it’s debatable if it was for the better. So we’re going to break down the key differences between her story in the movie and the comics, and explain why it threatens to undermine the worthiness of the Mighty Thor.

    How Jane Foster Becomes Thor in Love and Thunder

    The main issue with Jane Foster becoming Thor in the movie is how she becomes Thor. We catch up with Jane Foster and learn she’s battling Stage 4 cancer, with her chemotherapy treatment having little effect. She eventually gets the idea from a book on Norse mythology to find a cure using Thor’s hammer Mjolnir, which is said to grant good health to whoever wields it.

    Jane books a trip to New Asgard and lingers by the tourist attraction displaying the fragments of Thor’s broken hammer, and as she gets closer a storm suddenly brews overhead and the pieces spring to life with crackling lightning. And then next thing you know, she’s the Mighty Thor, bashing in the faces of Gorr’s shadow monsters right alongside the Odinson (Chris Hemsworth).

    Later in the film, a flashback to when Jane and Thor were still a couple shows exactly how she was able to wield Mjolnir. In a moment of wistful affection for his girlfriend, Thor asked his trusty hammer to always protect Jane, and in doing so unwittingly enchanted Mjolnir to do just that. Just like Thor’s father Odin once enchanted the hammer to only be lifted by someone who is worthy, Thor cast a spell that let Jane use its powers.

    A Matter of Worthiness

    The big problem with this little twist is it implies that Jane’s worthiness has nothing to do with her ability to use the hammer. She didn’t earn it with her strength of character. Thor made a special exception for her. As we all well know, a character being worthy enough to lift Mjolnir is an incredibly rare and special thing in the world of Marvel. It’s an acknowledgement of their virtue and bravery and puts them in a special class of hero. If Captain America only got to pick up the hammer in Endgame because Thor allowed it, then it wouldn’t have made for one of the most rousing moments in blockbuster history. So creating a loophole that allows Jane to pick it up, regardless of her worthiness, robs her of what makes the Mighty Thor so special.

    Now, there is a defense of sorts for this twist, and it lies in the film’s title: Love and Thunder. The writers clearly wanted to make the movie a romantic comedy, so to play up the romance aspect they made it so Thor’s profession of his love for Jane is the magic spell that later turns her into a superhero. It connects them in a profound and intimate way, and it puts them on equal footing so Jane doesn’t need to be the cliched damsel in distress yet again. Then again, only allowing Jane to become the Mighty Thor because her boyfriend said so saps her character of the autonomy that made her comic book counterpart such a success.

    This is all in stark contrast to the comics where Jane was able to lift the hammer of her own accord without any caveats. Many characters in the Marvel Comics universe were skeptical of the Mighty Thor, Odionson included, yet Jane proved them all wrong by continuing to be a self-sacrificing superhero despite the cancer ravaging her human form.

    Why Ruin a Gorr Thing?

    That leads us to another important discrepancy between the movie and the comic. In the comic, Jane runs the risk of dying because turning into Thor has the side effect of cleansing her system of the chemotherapy chemicals fighting her cancer, so every time she suits up to save the day, she’s actually making her cancer worse and taking one step closer to the grave. But in the movie, we see that the cancer is getting worse by itself, and we learn that using Mjolnir saps Jane’s endurance, to the point where lifting the hammer one last time to help defeat Gorr (Christian Bale) would mean her death.

    This is an odd change for the filmmakers to make because it suggests that using Mjolnir comes with a serious cost, even though that’s never been a part of how it works in the past. Ultimately, the change detracts from Jane’s arc being about the very human story of dealing with cancer and turns it into a struggle against a… sentient vampiric hammer? It just feels odd to suddenly add in this new attribute for Mjolnir when there was already a more elegant solution available.

    Is Jane Foster Worthy After All?

    All of that said, the comic and the movie’s stories about Jane Foster both end the same way. Even though becoming Thor one more time will result in her death, she picks the hammer up anyway so she can go save the day. Much like Thor gave up his life in his first movie and therefore regained his godly power, Jane gave up her life to save the children of Asgard, proving that the trait Mjolnir recognizes above all else is the bravery to sacrifice your own life and put the safety of others before yourself.

    So even though Love and Thunder’s key change to Jane’s story did threaten to undermine her character, in the end she proved she was indeed worthy of being the Mighty Thor.

    For more on Thor: Love and Thunder, check our IGN's Thor: Love and Thunder review and our interview with the cast of the film.

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    The Sea Beast Review

    The Sea Beast premieres Friday, Jan. 8 on Netflix.

    The Sea Beast, though a touch bloated, is an endearing, rollicking animated adventure that makes for fine summertime family fare. Hailing from Netflix Animation, the film tackles well-traveled themes but the gentle genre mix here, of pirates vs. ocean monsters, as well as some nicely executed action sequences, helps craft a fun fable about acceptance and forgiveness.

    Directed by Chris Williams (Big Hero 6, stories for Moana/Emperor's New Groove), The Sea Beast delivers a soft rogue's tale about a world filled by giant water creatures and heroic "hunters" tasked with bringing them down. A few generations have gone by since the "Dark Times" (when these monsters were said to outright attack coastal towns), and hunters are now so prevalent, with their precarious occupation, that orphanages now exist for kids left parentless because their folks went to war with a colossal sea serpent.

    Zaris-Angel Hator's young Maisie is one of these orphans, though she dreams of escaping to the high seas and living a life of monster-hunting like her mom and dad. The set up, establishing both Maisie and one of her heroes, Karl Urban's beast-slayer sailor Jacob, gets a little lengthy — as there's most definitely a shorter, tighter (better?) movie in here — but the best, most effective parts of The Sea Beast make up for the chewier parts. Each act is a teensy bit guilty of repeating moments that have already been addressed but the end result is still a fun flick with some great-looking animation.

    Hator and Urban create a palpable pair, emitting surrogate father/adopted daughter vibes as they bicker then bond over what's to be done about the monsters. At first, they're both on the same page, sea demon-wise, as Jacob's set to inherit the role of captain of The Inevitable from his own adopted father Captain Crow (Jared Harris) while Maisie's ditched her orphanage digs and stowed away on the ship to join her idols in serpent skewering. Then along comes "Red" — the Moby Dick-type beast of the film (who also doubles for King King, at times), and Jacob and Maisie start up a debate about who the real monsters might be in this never-ending conflict.

    The Sea Beast struggles with pacing, antagonists (Dan Stevens voices an arrogant royal nemesis, but all-to briefly), and story payoffs/outs, but it's also charming, and the new life Jacob is tossed into, after being so set on one path for so long, makes for an absorbing, awesome character 180. And as both Maisie and Jacob learn to love Red, and empathize with sea monsters in general, The Sea Beast still allows the monsters to keep their fangs. These aren't peaceful, docile creatures, necessarily. They, like humans, contain layers and will lash out even if the moment doesn't call for it. This adds a pleasant bit of complexity to what could have been a much simpler story.

    You've got a visual feast that's able to capture both the grandeur of the ocean and the emotions of a child.

    The colors pop delightfully in the film too, with most monsters getting to occupy their own place on the spectrum — so much so that Maisie names a few just based on their hue. Add to this the big set pieces involving ships, waves, whirlpools, gnashing teeth, and lashing tentacles and you've got a visual feast that's able to capture both the grandeur of the ocean and the emotions of a child.

    Jared Harris, as Captain Crow, seems like he'll be the type of father figure Jacob might have to avenge, but he blossoms into something much darker and more interesting. There are some unresolved elements with regards to Crow and his inner turmoil (and dealings with a witch) as the credits roll, but the story still makes better use of him than most other movies with a similar character. To be fair, Crow isn't the only lingering thread at the end of this tale, which is a shame since it seems like there was ample time to address everything.

    Karl Urban, currently starring on The Boys (and known for other wonderful sci-fi grumpiness in Dread, Star Trek, and Almost Human), gets to engage in some kindness here, as Jacob blossoms from narrow-minded to protective and compassionate. Jacob, as someone being task with breaking a cycle of violence, has a steep leaning curve but his time with Maisie and Red (and Blue) is handled with enough care to make his transition buyable.

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    Stranger Things’ David Harbour Calls Method Acting ‘Dangerous’ And ‘Silly’

    Stranger Things actor David Harbour has said method acting, through which actors fully embrace their characters by effectively playing them in real life too, is "dangerous" and "silly".

    Speaking to GQ, Harbour explained that he was trained in classical American method acting but, as he's grown older, he's decided that it's not effective at all.

    "When I was younger — it’s so embarrassing — but I remember playing that famous Scottish king and being like, ‘I’m gonna kill a cat’ or something. 'I’m gonna go murder something to know what it feels like to murder'," he said. "I didn’t actually do it, obviously. Not only is that stuff silly, it’s dangerous, and it actually doesn’t produce good work."

    Harbour also spoke of Daniel Day-Lewis, who's perhaps the most famous example of an actor who uses method acting. "He’s an extraordinary actor who I’m captivated and fascinated by [but] when he explains his process it sounds like nonsense to me," Harbour said.

    Harbour joins a number of other actors speaking out against method acting in recent months as back in April Mads Mikkelsen, Will Poulter, and Samuel L. Jackson all criticised it.

    "It's bulls***," Mikkelsen said plainly. "But preparation, you can take into insanity. What if it's a s*** film, what do you think you achieved? Am I impressed that you didn't drop character? You should have dropped it from the beginning. How do you prepare for a serial killer? You gonna spend two years checking it out?"

    Jared Leto is also well known for method acting, which caused extended downtime on the set of Morbius as he insisted on using his character's crutches at all times, which pushed bathroom breaks to 45 minutes. When the film was released, IGN said it was mediocre in our 5/10 review.

    Thumbnail Image Credit: Netflix

    Ryan Dinsdale is an IGN freelancer whose coverage of day-to-day news means he writes about everything from Thanos's butt to political movements within the industry, but mostly about video games. Ryan has six years of journalism experience and before IGN wrote mostly for national newspapers in the UK including The Times, i, and The Scotsman. Find him on Twitter @thelastdinsdale.

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    Some Hearthstone Players Have Been Offered 150 Free Booster Packs to Come Back to the Game

    Some Hearthstone players have been offered 150 free booster packs – with a value of $180 – to return to Blizzard's Warcraft-themed card game.

    As reported by PC Gamer, various lapsed Hearthstone players have shared that they had been offered huge bundles of cards if they started playing again. The biggest offer was for 75 Standard Packs and 75 Voyage to the Sunken City Packs, which would otherwise cost players at least $179.96.

    The offer is "common industry practice," according to Blizzard. "We run many different limited and targeted tests such as this to better determine what drives former, new or current players' interest, which is a common industry practice," a spokesperson told PC Gamer.

    "This was a region-specific test for Hearthstone in the UK and France for a subset of relevant players who were first randomly sorted into groups before being assigned a corresponding offer between 20 and 150 packs."

    Nevertheless, the test has caused some complaints within the Hearthstone community as the game has received criticism for its microtransaction market. Reddit user Lichnaught, who received the full 150 packs, asked "why grind gold daily when you can just not play for a couple of months?"

    Other users complained in the comments that they also recently returned after taking a break but didn't receive any packs, while others said they've played Hearthstone every day for years and never received anything like this. Given that Blizzard was testing free packs for lapsed players, that potentially could become a more set reward in future.

    Hearthstone recently nerfed its infamous Drek'Thar card – which could only be bought for $25 – and offered refunds to the players who already bought it. The Diamond Drek'Thar was released in early April to significant player outcry due to its high price tag.

    Ryan Dinsdale is an IGN freelancer whose coverage of day-to-day news means he writes about everything from Thanos's butt to political movements within the industry, but mostly about video games. Ryan has six years of journalism experience and before IGN wrote mostly for national newspapers in the UK including The Times, i, and The Scotsman. Find him on Twitter @thelastdinsdale.

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    The New M2 MacBook Air Is Up for Preorder

    The new 2022 MacBook Air with an M2 chip is finally available for preorder (see it at Amazon). Announced last month during Apple’s WWDC keynote, the machine features a new design, new color options, a better display, MagSafe charging, and a number of other improvements over the previous model. This is the biggest redesign the MacBook Air has had since… well, basically ever. It’s out July 15, but it’s available for preorder now at a handful of retailers.

    Preorder the M2 MacBook Air

    Ever since Steve Jobs introduced the first MacBook Air by removing it from a manilla envelope, this portable Mac has featured a unique (for the time, anyway) wedge shape. That design is gone. The M2 MacBook Air is still very thin (11.3mm), but it’s no longer thinner at the front than at the back. At 2.7 pounds, it’s also very light.

    Functionally, Apple says the M2 MacBook Air is 1.4 times faster than the previous M1 model. The company also says it gets 18 hours of battery life, which is bonkers. (It’s also presumably based on more theoretical testing rather than on real-world usage, but even so it ought to last through a work day without needing to be plugged in).

    You can get the new Air in four color options: silver, space gray, starlight, and midnight. Starlight is a nice looking color — it’s bright with just a hint of gold. Midnight is far and away my favorite of the bunch. It’s darker than space gray, with a blue-ish hue that looks fantastic.

    Since it has Apple’s new M2 chip, the 2022 M2 MacBook Air runs so cool it doesn’t even need a fan, which also means it’s quieter than nearly any other laptop on the market.

    It has a 1080p FaceTime camera that Apple says operates very well even in low-light conditions. Previous MacBooks have been dinged by critics for years for their sub-par cameras, so this is a welcome addition, especially in the age of Zoom.

    I’ve been baffled ever since Apple did away with MagSafe charging years ago, but it’s finally back in this model. The MagSafe power cable attaches to the laptop with a magnet, rather than having to be plugged into a port. This means that if you trip over the power cord, it detaches cleanly, without pulling your MacBook off the desk and potentially doing a thousand dollars’ worth of damage. It’s an incredibly smart feature that Apple was foolish to remove from previous laptops.

    The display is 13.6 inches, which is a little bigger than the previous model. It has a thinner bezel, though it does have a little nub for the camera and sensors at the center of the top of the screen. The display itself is what Apple calls Liquid Retina, and it features 500 nits of brightness and can support a billion colors.

    The great-feeling Magic Keyboard is back, this time with a full-sized multi-function row at the top (the F-keys), including a Touch ID sensor for unlocking your computer and entering passwords.

    These M2s start at $1199. And although last year’s M1 MacBook Air is still on the market to hit the $999 price point, I’d say the extra $200 is well worth it, for the improvements. Basically, this new M2 MacBook Air has everything you’d probably want in a new Apple laptop.

    Chris Reed is a deals expert and commerce editor for IGN. You can follow him on Twitter @_chrislreed.

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